About us
Who we are
Potluck Improv is a collective, not a company and not a theatre. We gather Barcelona's Global Majority communities on one stage and around one table. Improv is the vehicle. Food is the anchor. The friendships are the actual product. Anyone can play, no experience needed, and the eating is not an afterthought.
The three of us
Nina, Desh and Kai
Nina
She/they
Nina has been a hands-on community builder most of their life. Entering the DIY indie/punk scene in Southern California at 15 years old led to her playing in over a dozen musical projects, writing and recording original music, managing bookings and promotion, stage managing and producing countless DIY concerts in diverse venues spanning the West Coast of the US, from typical music venues to empty backyard pools that she then converted into a stage, with the help of fellow punks.
As a woman and nonbinary person of color in the indie/punk scene, queer and POC visibility and engagement were always significant and something they always advocated for through the events they produced. Behind the mic, onstage and off, Nina has been a vocal advocate for antifascism, intersectionality, antiracism, cultural awareness and engagement through community outreach. The last few shows from 2024–2026 Nina held at DIY venue the Cat-Thedral in Pomona were benefits for ARC (the Anti-Recidivism Coalition). Previous organizations that Nina has organized benefits for include 7,000 Languages, ACLU, and The Trevor Project, to name a few.
Nina currently studies linguistics and voice, aiming to use this work to analyze and address racism in language and theater.
Desh
He/him
Desh has spent most of his life building spaces where people who were not expected to belong end up leading. Born in Nepal, he arrived alone at a small college in Arkansas as an undergrad and learned quickly what it feels like to be the only one in the room.
At Hendrix College he served as Student Senate President and went on to lead Multicultural Student Services, running an average of three events a week: advocacy and support for under-represented students, social justice learning and movement programs, facilitation, and anti-bias training for students, staff and faculty. He also did the slower structural work, building a diversity, equity, inclusion and belonging roadmap for the institution and pushing on retention, because a college can recruit under-represented students and still fail to keep them. What stayed with him is that belonging is never accidental. Someone has to build it on purpose, over and over, usually without credit.
He has kept doing it since, through Arkansas, Iceland and Barcelona. Last year he co-facilitated a workshop on digital inclusion and communication for young people from across Europe, part of an EU co-funded programme. He co-founded Statloba For Good, a non-profit that delivers free training to youth organisations in Zambia, Nepal, Kenya and Niger, and in his work in technology he advocates for equity of access and neurodivergent inclusion.
Kai
She/her
Kai is a Filipino community builder and improviser based in Barcelona. She began doing improv in late 2024 through Barcelona Improv Group, where she found a space for play, connection, and sharing stories. As Barcelona continues to grow into a vibrant melting pot of cultures, she is passionate about helping ensure that its stages and communities reflect the people who call the city home.
Professionally, Kai works in B2B sales in the animal nutrition industry, supporting agri-businesses in North America and Africa. She previously worked in the restaurant and gaming industries, experiences that strengthened her appreciation for hospitality, communication, and the ways communities form around shared experiences.
Outside of work and improv, Kai helps organize Filipino community events in Barcelona and manages a Filipino community with more than 500 members. She cares deeply about increasing the visibility of Filipino people, stories, food, humour, and culture, while celebrating the many other communities that make Barcelona diverse.
Our mission
Why we do this
Gather Barcelona's Global Majority communities on one stage and around one table — using improv, food, and honest conversation to turn parallel lives into shared ones.
Our values
How the room works
Our culture, in six words:
- Welcome
- Play
- Generosity
- Honesty
- Joy
- Care
And the nine values that decide things day to day:
- Everyone brings something. A dish, a chair, a lift, a story, a language. Contribution is how belonging works here — not a fee, not a credential, not experience. It is also why the collective cannot be reduced to an audience watching a few performers.
- Nobody explains themselves. No one is asked where they are really from, made to translate a reference, or positioned as the spokesperson for their entire community. The default assumption of the room is understanding, not curiosity about difference.
- The room is the point. The show matters, but the show is the excuse. If the improv is sharp and nobody spoke to anyone new, the night did not work. We design every jam so that the eating and talking are as structured and intentional as the playing.
- Yes-and the person, not just the scene. Support in improv is a technique; here it is also a social contract. You back your scene partner, and you back the person who arrived nervous, alone, or new to the city.
- No diversity slots. We decline invitations that use us to demonstrate someone else's inclusivity. If we cannot host on our own terms, we do not appear. Being programmed as a category is the opposite of decentring whiteness.
- Your language belongs on stage. Català, castellano, English, Urdu, Wolof, Tagalog, Darija, Quechua, Romani — an accent is not an error to be corrected and a language is not a barrier to be overcome. On an improv stage, all of it is material.
- Consent on stage and off. You can decline a scene, tap out, or say no to a premise without explanation or penalty. Nobody's identity is used as a punchline, including by someone who shares it, unless they chose it themselves. Guests do not get to test this.
- Hand the mic on. Every person running something is responsible for finding and training the person who will run it next. Founders included. A collective that depends on any individual has failed at its own purpose.
- Joy is not a luxury. When resources, energy, or time are short, we protect the fun before we protect the ambition. A smaller night that people loved beats a bigger one they endured.